was born in 1993,
graduated from Tokyo Univ. of the Arts, Fac. of Fine Arts, Dept. of Design in 2017,
graduated from Tokyo Univ. of the Arts, Graduate School of Fine Arts, Maj. in Design in 2019,
graduated from Tokyo Univ. of the Arts, Graduate School of Film and New Media, Doctorial course in Film and New Media Studies in 2024,
received Ph.D. (Tokyo Univ. of Arts, 2024.3)
euske.oiwa@gmail.com,
in 2015,
'Pleasure,' juried solo exhibition as part of TWS-Emerging 2015,
in 2016,
'Prisoner wanna go to the wake,' duet exhibition with Shuntaro Yoshino,
'Space and Description,' performance event at 'New Rube-Goldberg Machine
,' group exhibition curated by Riku Iioka,
in 2017,
'November 11th,' graduate work display in '65th Tokyo University of the Arts Graduation Works Exhibition,'
'Surfin', group exhibition with Kosuke Nagata, Issei Yamagata, Yuu Yamamoto
'CAF 2017 Art Award,' selected group exhibition,
'The Sun We See Here Shines in Other Placed,' group exhibition with Maho Nakanishi, Youhei Watanabe, curated by Riku Iioka,
'Best Housing,' duet exhibition with Shuntaro Yoshino, Tokyo University of the Arts,
in 2018,
'A well-lighted watertank,' duet exhibition with Kosuke Nagata, BLOCK HOUSE,
in 2019,
'Slow Actor,' solo exhibition, curated by Taichi Sunayama, Komagome SOKO,
'Trailer' in '67th Tokyo University of the Arts Graduation Works Exhibition,'
'Sculpt-Script,' group exhibition, curated by Sou Suzuki,
in 2020,
'Breaking the Relation' in Event 'Katachi' moderated by Daisuke Kishii,
'Emergency Call,' group exhibition, curated by himself, on telephone,
'Getting Lost,' duet onnine exhibition with Risako Okuizumi, held by himself, online,
'In a Time to be Great Thinkers,' group exhibition organized by TALION GALLERY, with Ontayama and NAZE
'Vacances,' juried solo exhibition for OPEN SITE 5, TOKAS hongo,
in 2021,
'Blind,' solo exhibition,
'margin reception,' solo exhibition,
'Catchup,' solo retrospective exhibition for ANNUAL BRAKE 2021, The 5th Floor,
'Encounters in Parallel,' group exhibition, organized by Junya Yamamine and Akane Miki, ANB Tokyo,
in 2022,
'Number, Time, Age,' duet exhibition, curated by Daisuke Kishii, with Kazunari Yonemitsu, PARA,
'P in case,' solo exhibition, curated by Chieko Nakagawa, Towada Art Center satellite cenue 'space,'
'M.THERESIA.D.G.R.IMP.HU.BO.REG.ARCHID.AVST.DUX.BURG.CO.TYR.1780.X,' group exhibition, organized by Satoko Oe Contemporary and TALION GALLERY, CADAN Yurakucho,
'3331 Art Fair 2022,' 3331 Arts Chiyoda,
'Possible,' solo exhibition, PARA Jimbocho,
in 2023,
'Work,' distributed autonomous exhibition(s), anywhere and a special show 'Gala' at PARA Jimbocho,
in 2024,
'Yamanashi Media Arts Award 2023–24,' award exhibition, Some Venues in Yamanashi Prefecture,
'The Blue Sky, Count of Ten,' Duet exhibition,
in 2014, selected for 'Tokyo Wonder Wall 2014,'
in 2014, selected for 'Shell Art Award 2014,'
in 2016, 'Ikuo Hirayama Scholarship,' as excellent student in Tokyo University of Arts,
in 2017, selected for 'CAF Art Award' 2017 and received 'Study Abroad Subsidy Award,'
in 2019, 'Software as Another Stroke: Plural Semantics Attaching and Detaching on Paintings' selected for '16th "BT" Art Criticism Competetion,'
in 2024, 'Ikuo Hirayama Art Fund,' as excellent student in Tokyo University of Arts,
in 2024,
'Installation and Playability: Why is Game Art 'Art'? Thinking with Theories of Art and Play' in Tamabi Art Game Laboratory,
'Michael Fried and Graham Harman: How Works of Art are Allowed to Exist in This World,' as a special part of 'Exploring the Yet Untapped Potential of 'Modern Painting' (A Review and Future Perspectives),' as guest,
'Dispositif for Act and Actor and Agency,' as a part of 'Critique and Art' held by Bunkacho Art Critique Project, as guest,
in 2023,
'On "Dasai",' Kyoto University as guest lecturer,
'Make Hermeticism,' as a part of talk series 'Doing Air through Arts' organized by East Asian Academy for New Liberal Arts, University of Tokyo, as guest talker,
'Discourse of Impersonation(Mono-mane),' as a part of 'Why Mirakuru Hiraru?' organized by Nagoya University of the Arts and Kyoto University of the Arts, at Nagoya University of the Arts, as guest lecturer,
'Facing the Time: Beckett's Theatricality and Installation Art,' artist presentation at Beckett and Japan,
'Reading Readily Michael Fried's "Art and Objecthood",' PARA Jimbocho as part-time lecturer,
'A World Ends Here: Michael Fried's Sensibility about "World", Time and Contingency Research Group as guest lecturer,
in 2022,
'English Reading Workshop 'Another Light by Michael Fried',' at PARA Jimbocho as part-time lecturer,
'Installation, Form of Work, Card Game, Loop Video, Metafiction, Christopher Nolan, Video Game, Time, Space, Paranormal Activity, Destiny, Prediction, Horror, Tragedy, Narratology, Play, Statement, Curation, Psychoanalysis, Secret, Melodrama, Mystery, Deduction, Rhetoric, Unnatural, Process, Critique, Tom and Jerry, Samuel Beckett, Stanley Cavell, Michael Fried, Theatricality, Comedy, Manzai or Contes, Acting, Ritual, Character, Nisiho Ishin, Sekai-kei, World, Anthropomorphism, Person Impression, Translation, Quotation, Pun, Relational Art, Speech Act Theory, Law, Interactivity, Display and Audience, Sublime, Bigakko as guest lecturer,
'Production as Tragedy,' PARA Jimbocho as guest lecturer,
'Seminar III: Studies of Culture and Representation,' Waseda Univ. School of Social Science, as guest lecturer,
'How do you live with COVID-19?,' Joshibi Univ. of Art and Design as guest lecturer,
'Contemporary Art Criticism I,' intensive course at Kyoto City Univ. of Arts as part-time lecturer,
'How do we feel contemporary in space?,' presentation at Bunkacho Art Platform Contemporary Art Workshop as invited artist,
in 2021
'Installation, Form of Work, Design, Game, Christopher Nolan, Video Art, Loop, Metafiction, Time, Space, Paranormal Activity, Destiny, Prediction, Lateness, Subject, Fear, Laughter, Horror, Film, Ghost Story, Narrative, Theater, Personal Pronoun, Playscript, Statement, Lyrics, Sound, Desire, Psychoanalytics, Conceptual, Tom and Jerry, Furniture, Romance, Interrogation, Rhetoric, Grammar, Mystery, Linguistic Science Fiction, Novel in Second Personal Pronoun, Unnatural, Magic, Quiz, Process, Criticism, Wordplay, Repetition, Samuel Beckett, Manzai, Conte, TV Variety, Literalness, Acting, Superstition, Character, Nisioisin, Prosopopeia, Ghost, Mimicry, Translation, Quotation, Oral Instruction, Speech Act, Interactivity, Sinking, Deception, Audience, euskeoiwa.com,' at Tama Art Univ. Dept. of Painting, Oil Painting Course as guest lecturer,
in 2020,
'On Installation,' at Tama Art Univ. Dept. of Painting, Oil Painting Course as guest lecturer,
in 2019,
'Predicting Retroactively,' at Tama Art Univ. Dept. of Scenography Designm Drama and Dance as guest lecturer,
'(you are only in my fantasy) Your words, and even the scenery behind your shoulder' at Kyoto City Univ. of Arts as guest lecturer,
'Contemporary Art Criticism I: Time-Thief,' intensive course in Kyoto City Univ. of Arts as part-time lecturer,